Dallas: Coming Full Circle

I’ve been thinking a lot about those moments when life comes full circle. I’m not talking about births and deaths, but about all the small circumstances in between that serendipitously bring us right back to where we started — oftentimes when we least expect it. 

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Earlier this summer, I was sitting at the Great White Table in the Art House kitchen munching on Andi’s highly addictive freshly toasted pecans and sipping on watered-down Simply Lemonade. Charlie and I were taking a break from planning Art House Dallas and talking about one of his own recent experiences with life coming full circle. 

This particular story involved a trip to Los Angeles and an unexpected reunion with his favorite 1976 Fender electric piano — one he had sold as a young musician trying to cover rent. The most amazing part of the story was not the number of years that had passed (32), or the distance the piano had traveled (from Northern California), but the location in which he was reunited with this beloved instrument (a garage). It turns out that three guys from The Daylights, a band he had been working with the last two years, had acquired the piano through a friend and wanted to show Charlie their new addition, not knowing it had once been his.  

Like a time machine, this experience transported Charlie to past years and the magnificent way his circumstances were woven together for his good: as a musician, husband, father, producer, and now advisor to these talented young musicians not so different than he was when he first laid eyes on that Fender piano. 

I love that our Creator would use a reunion with a vintage instrument to remind Charlie (and all of us) of the amazing ways He leads and shapes us over the years through His beautiful and creative control over every detail in our lives. Every step. Every relationship. Every possession. Every dream. Every plan.

Charlie’s story deeply resonates with me because I am a planner. It’s in my Type-A, independent, middle-child blood. I’m especially guilty of believing I have “creative control” over my life story, often forgetting the fact that this is my Creator’s specialty.

Almost two years ago exactly, I entered the Art House for the first time. Like someone who had been there a hundred times before, I came in through the kitchen door and sat down at the Great White Table (the best place in the house). I had recently made the career transition from politics to entertainment through my job with the Wedgwood Circle and our team was in Nashville to help co-host a musician retreat at the Art House.

Maybe it was the amazing aroma of the food Andi was preparing at her new Wolf range, or the fact that I felt so welcome in a home I had just stepped into thirty minutes prior. But as I sat at the Great White Table, I knew that my jump from the White House to the Art House was no mistake. At that moment I felt like I had hit the jackpot.

After only a short time I realized that Andi and Charlie were kind of like Walt Disney, creating a magical place of learning and laughter, full of fellowship and delicious food. They provided a place where we could all let go of our busy lives to rest, making room for long conversations with new friends and fishing adventures at the river flowing behind their house. As far as I’m concerned, it was my Magic Kingdom.

I had never before seen a place where hospitality, music, learning, cooking, and discipleship all came together in perfect harmony. I could almost hear Julie Andrews in the background singing, “These are a few of my favorite things.” Actually, they are all of my favorite things. I saw a picture of the kind of life I wanted to lead, a vocation that I didn’t even know existed. Andi calls it the “art of caring” and I was hooked from the first time I sat down at her kitchen table. 

This was the first of two pivotal moments that would eventually lead me to where I am now. I returned to real life in Washington, D.C., and what I didn’t recognize as a particularly meaningful story began to unfold.

Within six months, Wedgwood Circle instituted a new 501(c)(3) branch of their organization, which I would be running. The aim of this non-profit was to encourage and equip artists and patrons. Coincidently (or not) one of the greatest supporters of this mission and a board member at Wedgwood Circle was a Dallasite named Brad Reeves. 

It was at this fine gentleman’s house in Dallas that the second of two pivotal moments occurred: I once again found myself sitting across the table from Charlie Peacock. Little did I know that part of his journey to the Lone Star State involved scouting potential venues for a new Art House location. In my hometown.

I was excited to update Charlie on the progress at Wedgwood, especially some of our new ideas that developed as a direct result of my time spent at the Art House: a host family network for musicians, another artist retreat, and meals for artists traveling through town. These were the very concepts that excited and motivated me at my job at Wedgwood, which is why it seemed perfectly normal in that moment to tell Charlie how inspired I was by his work at the Art House. I added (not realizing the power of my next sentence) that I was enjoying my job so much that the only project that would ever tempt me away from Wedgwood would be working for Art House. That animated the imaginations of Charlie and Brad and led to an idea. That led to a conversation. That led to a job offer. That led to a move. That led to Art House Dallas.

Two weeks ago, I returned to the Great White Table. Right back where it all started. My great Full-Circle moment. I had sat at that kitchen table many times during this particular Art House Dallas planning trip, but as I watched Andi cooking beef stew in the kitchen, I was struck by the amazing ways that God loves to creatively bring us full circle in life. Not just back to a table where I first caught this vision, but back to my hometown to carry out this vision for an organization that I love. With people that I love. In a city that I love. 

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Here’s to a whole new chapter of giving up creative control to see what God does next.  I’ll keep you posted. 

Jenny White is a native Texan who recently returned from a 5-year adventure in Washington, D.C. She serves as the Executive Director of Art House America’s new location in East Dallas, where she loves drinking coffee at the Pearl Cup, going to concerts at Granada Theatre, cycling around White Rock Lake, and cooking in her tiny kitchen. She is still in search of a Great White Table of her own.

To learn more about Art House Dallas or to share a big (or small) full-circle moment in your life, contact her at jenny.white@arthouseamerica.com.

Creative Community For The Common Good

A few weeks back I was privileged to sit with trustworthy friends and wrestle, yet again, to find the smallest, most potent words to describe what Art House means. This kind of exercise has played out many times in the last twenty years. We’ve been trying to put our vision into words since we first imagined the place and purpose that became The Art House home in Nashville, and our non-profit, Art House America. As we like to say, the name Art House designates place, while Art House America is an organizational title.

The new batch of language-tinkering was precipitated by a vision for an Art House Dallas. Specifically, an Art House in the Munger Place historic district. New, enthusiastic hearts from Dallas had entered the Art House America story. We needed to be of like mind and mission. In Nashville, we don’t get asked, "What is Art House?" as often as we used to. If you embody something for twenty years, it takes a little of the burden off explanation.  

Our Dallas team, though — folks like Jenny White, Brad Reeves, and Kate Miner — are going to have to use words, at least for a little while. So we came up with a new answer to the question, “Tell me, what’s the Art House about?”

It’s about: Cultivating creative community for the common good — encouraging everyone to live imaginative and meaningful lives.

That’s as true a description as we’ve ever come up with. I like it.  

I’m from Sutter County in northern California. That’s farmland. I know something about cultivation. It’s about setting the stage for good to happen. If you respect the soil, you increase your chances of bearing good fruit. A farm is nothing if not a creative community of people bringing good things into being that did not exist before. It’s done for the good of all. When a peach goes to market, it’s no respecter of persons. It exists for the common good. A peach’s desire for you is simple: eat, enjoy, be enriched, and nourished.

Like a farm that nurtures good health, Art House America is in the business of cultivating creative people who bring good health to people and planet. Sometimes these creative people are artists in the most traditional sense — makers of music, theater, films, dance, paintings, and metalwork. You know the kind. With the word “art” in our name you know we take this seriously. Just as important, though, is our work of encouraging everyone, in everything, to live imaginative and meaningful lives. We really do believe that every human being is made to be a creative contributor, to play his or her role in the artful, meaningful life of caring for people and planet. We really do believe, along with C.S. Lewis, that the imagination is the “organ of meaning,” and that its fruit is creativity of every kind.   

What’s the Art House about? It’s about: Cultivating creative community for the common good — encouraging everyone to live imaginative and meaningful lives. Good start, Dallas! You’re on your way.

To reach Charlie directly: charlie.peacock@arthouseamerica.com

To inquire about Art House Dallas: arthousedallas@arthouseamerica.com

Charlie is a record producer, Sr. VP of A&R for Twenty Ten Music, and Co-Founder of Art House America.

April Update: Imagining More Than We Know

Dear Friends:  

As I'm looking at the calendar, I am amazed that we are already in April. Even more surprising is the fact that tomorrow marks six months since we officially launched Art House Dallas. I remember standing on the stage last October, sharing pieces of our vision. Our words were merely the first draft to a story which would eventually take on new characters, places, and plot lines over the next six months. 

Wendell Berry, the great American writer and activist, once said: "In the effort to tell a whole story, to see it whole and clear, I have had to imagine more than I have known." As the Director of Art House Dallas, I have the privilege of watching many of our imaginings begin to unfold. 

imagined more gatherings like our launch party where creatives could come together and be encouraged. I didn't know our Art House Exchange events would fill the back room of Molly Maguire's pub month after month with amazing people hoping to connect and create. 

imagined equipping a small number of songwriters to write music for the common good. I didn't know we would have a sold out Song Project with 60 songwriters gathered together to learn how to tell stories about God's beautiful work in their lives.

imagined a place where this community with so many talents, hopes, and ideas could have a place to create, converse and carry out their God given vocations. I didn't knowI would be sitting with an architect six months later looking at the first draft of drawings for this place of purpose.

As Ephesians 3:20 reminds us: "Glory belongs to God, whose power is at work in us. By this power he can do infinitely more than we can ask or imagine." 

Yes, there are so many parts in all of our stories that remain hidden from us, but we can rest in the fact that our Creator sees each of our story "whole and clear."  Thank you for being with us for the first six months of our story. We take joy in these milestones which allow us to look back and see God working mightily in our midst. I hope you'll continue along with us in this journey of imagining and waiting expectantly for God to provide. 

Grace and Peace,

Jenny White

Executive Director

March Update: "The Darkest Hour is Just Before Dawn"

Greetings from Dallas, where it is 75 degrees and the blossoms are bursting out of their buds with enthusiasm. We made it through the winter.The cold, dark days are brightening and Creation gently reminds us of our hope; that our Creator is "making all things new."

I spent the end of last week in Nashville with the rest of the Art House America board for our annual Meeting.  We sat comfortably around the table at the Art House, enjoying Andi's homemade granola and thanking God for the good work He has carried out over the last year in Nashville, Dallas and beyond. As we planned for the future of Art House, Japanese citizens watched their plans for their future crushed by the devastating earthquake and tsunami. Like so many of you, the images flashing across the television make us feel small and powerless to help. I am so thankful that we serve a God who has given us imagination and creativity to carry out His renewing work and that we do not have to standby paralyzed with discouragement at the broken world we live in. 

The power of creativity is never so important or relevant as in times of tragedy. So often we relegate the idea of creativity to that of paint on a canvas or lyrics in a song. Yet, what is more creative than what the 50 Japanese workers are were trying to accomplish inside the nuclear plants to come up with innovative strategy to stop toxic radiation. We honor these men and women whose sacrificial offering of creativity goes so far as to give their own lives to save the health of their fellow citizens.  Many of us will never be called to offer that kind of creativity, but we ARE called to use the gifts God has given us to inspire the world with hope. Whatever our gifts may be, we have an amazing opportunity to keep telling the stories of how our Creator is at work in our lives, making all things new.

One of America's best singer/songwriter's, Emmylou Harris, wrote that "the darkest hour is just before dawn." During this time of tragedy, lyrics like these remind us of the unique power music has to speak truth and hope to a watching world. Last month, Charlie spent the day with 60 musicians in Dallas to encourage songwriters to write music which tells good stories of God at work. I hope that you will check out the Song Project video (http://vimeo.com/20619966) to be encouraged by how God is working in the hearts of songwriters in Dallas and beyond. Our greater hope is that through the Song Project and other Art House America events, we will be a creative community writing stories and songs like Emmylou  which give hope to our souls. 

Keep up the good work of creating and telling good stories with your life. Our world needs it now more than ever.

Grateful to be on this journey with you!

Jenny White

Executive Director

February Update

Hello friends:

The new year is off to a great start for Art House Dallas and there is already so much to be thankful for. We have been busy meeting with studio designers, musicians, producers, and other talented folks who are helping us plan the new Art House space in East Dallas.

Yesterday, I was walking with a friend through the raw space and imagining what might be happening a year from now in the newly renovated space... musicians recording their next album, a small group of songwriters meeting in the living room to come up with new lyrics, and young music students down the hall learning to play guitar for the very first time.  While we are waiting for these dreams to become a reality, we are not waiting for Art House renovations to be complete before we start building up the creative community in Dallas. From events like our monthly Art House Exchange (read about the 1st Exchange below) to our first annual Song Project, we hope to provide many avenues to encourage and equip people to use their creative gifts for the common good of our city.

Thanks for being a part of our story by attending Art House events, volunteering your time and praying for our future endeavors.  I look forward to keeping you posted on the good work that God is doing here in Dallas.

Take care!

Jenny White
Executive Director